| home : index : picture archive : Germany : photos by Marco Prins © | ||||
Mogontiacum (Mainz) |
||||
Back to page one |
Unless otherwise indicated, pictures on this page © Marco Prins and Jona Lendering. Photos can be downloaded and used for non-commercial purposes, but you have to acknowledge Livius. | |||
| One of the best-known monuments of Mainz
is this 10 meter high column, dedicated to the supreme god Jupiter and
once standing somewhere in the city. One must imagine a life-size statue
standing on top of it (cf. this
Jupiter column from Maastricht).
The pillar was excavated in 1904-1905 near an ancient merchants' area,
north of Mainz. It had been smashed to pieces (more than 2000) in Antiquity;
perhaps by Christians who wanted to show that Jupiter was a false god.
Later, the fragments were carefully buried, indicating that there were
people who still appreciated the monument.
This photo shows a modern copy, not far from the Römisch-Germanisches Zentralmuseum. The real monument is in the Landesmuseum. |
|
|||
From left to right
|
||||
|
||||
| The name of the emperor Nero
proves that this inscription was made was made between 54 and 68; and that
Nero was detested, is shown by the fact that someone made an effort to
erase his name (damnatio
memoriae, "condemnation of the memory"). The two Quintus
Julii appear to have been decuriones.
The columns is decorated by representations of, all in all, twenty-eight deities. This is one of the divine twins Castor and Pollux. |
||||
| And this is Helius, who must have been identified to Mogon, the sun
god after whom Mogontiacum may have been called. He is sitting in his chariot,
drawn by four horses.
On top of the column was the statue of Jupiter. Some fragments survive and prove that it was made of bronze and covered with gold leaf. If the sun was shining, the monument must have been visible from far away, and must have greeted the visitors. At the foot of the column, the two sculptors have written their names: Samus and Severus, the sons of a man with a native name, Venicarus. |
||||
| The sanctuary of the Egyptian mother goddess Isis and her Phrygian counterpart Cybele was almost certainly built after the emperor Vespasian (69-79) claimed special protection from Isis. It is very interesting, because it shows how rapid oriental religions spread to Gaul and the Rhineland. A century after the construction of this temple, Irenaeus of Lyon mentions the first Christians in Germania Superior. | ||||
| The sanctuary was unexpectedly discovered in 2000 when a shopping mall was built in the center of Mainz. The remains have been made accessible. This painting the Egyptian god of the dead, Anubis, was one of the finds. Among the other finds were no less then three hundred oil lamps, which must have been used during the mysteries that were performed in this temple. Chicken bones suggest what kind of sacrifice was offered to the goddesses. | ||||
| This is a representation of Harpocrates, who was also connected to the cult of Isis. The archaeologists also found grains and pine nuts, which must have been burnt on the altar, and exotic fruits such as dates and figs, which must have been imported from Syria or Egypt. Another nice statue is a bronze of Mercurius, who holds a wallet in his hand. | ||||
| This little dwarf is made of massive bronze, to which lips and a wreath
of copper were added. The nails of the little man's toes and fingers are
made of silver. It is possibly an import from Italy our southern France
and was almost certainly made in the first century. The man or woman who
left this votive gift must have been very wealthy.
What it means, is another question. Small people are known from Germanic myth and sagas, and are usually connected to the treasures of the earth: sometimes, they are mineworkers, sometimes, they are smiths. On the other hand, the Greeks and Romans associated Egypt with pygmees, so it is possible that this dwarf played a role in the cult of Isis. If we understood his gestures, we might solve this puzzle. |
||||
| It is certain that the sanctuary was still in use in the third century. This little terracotta statuette, showing two lovers in a tight embrace, appears to belong to the latest artifacts left at the site. Terracottas were cheaper than bronze statuettes, so this present was probably offered to the goddesses by someone of modest means. One wonders what kind of prayer accompanied the offering, and hopes that it was fulfilled. (Similar statuettes can be seen in the archeological museums of Trier and Frankfurt.) | ||||
| These little tablets were dedicated to the great goddess to request good health for the emperors, the Senate, the People, and the Army of Rome. | ||||
| From the mid-third century survives a small honorific
arch, dedicated to the imperial family by a man named Dativius Victor.
This is a copy; again, the real monument is in the Landesmuseum. The inscription,
included in the Corpus
Inscription Latinarum as XIII.6705, reads:
IN Honorem Domus Divinae Iovi Optimo Maximo CONSERVATORI ARCVS
CVM SIGNIS
QVOS DATIVIVS VICTOR DECurio
CIVITatis
TAVNENSis
VICANIS
MO
GONTIACENSIBVS PROMISIS VICTORIVS VRSVS ET VICTORIVS LVPVS FILIi ET HEREDES CONSUMMAVERVNT (more...) |
||||
| This means that Dativius Victor, decurio
in the town of the Taunus people (i.e., Frankfurt) and former provincial
chief priest of the imperial cult, dedicated this arch with its decorations
to Jupiter, the greatest and best of the gods, to honor the divine imperial
dynasty, as he had promised to the people of Mainz. The monument was finished
by Victorius Ursus ("the bear"), grain merchant, and Victorius Lupus ("the
wolf"), Victor's sons and heirs.
The emperor who was thus honored remains unidentified, but Valerian (253-260) is a good guess, because his son was Gallienus was co-ruler and visited Mainz. |
||||
| The top of the arch in the museum. You can see the signs of the Zodiac, and in the center the supreme god Jupiter and his wife Juno. To the left and right are sacrificial scenes. The stones survived because they were included in the second Roman city wall that was built in the mid-fourth century. | ||||
>> to part four >> |
Livius.Org, 2006 Revision: 28 June 2006 |
|||
|
|
||||
![]() |
||||