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Lamassu (bull-man) |
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A lamassu from Khorsabad (Louvre) |
Lamassu: Babylonian
protective demon with a bull's body, eagle's wings, and a human
head.
The name lamassu is not without problems. The Sumerian word lama, which is rendered in Akkadian as lamassu, refers to a protective deity, who is usually female. She is often represented as a standing figure that introduces guests to another, superior god. So she is actually a servant. Her male counterpart is called alad or, in Akkadian, šêdu. |
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![]() A lamassu; eastern entrance of the Gate of All Nations |
During
the Neo-Assyrian
Empire (c.883-612), large monumental bulls, often
with wings and always with human heads, were placed as gateway
guardians
at the entrances of royal palaces like Khorsabad and Nineveh. The
general idea behind them was that
they warded off evil. (In jargon: they were apotropaic figures.)
Usually,
they have five legs. Lion-bodied protective deities are also known, and
are usually called "sphinxes". These monumental statues were called aladlammû ("protective spirit") or lamassu, which means that the original female word was now applied for a rather macho demon. In one modern interpretation, they combine the strength of a bull, the freedom of an eagle, and the intelligence of a human being. Female lamassu's are called apsasû. |
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![]() A bull-man on a coin from Gela (Bode-Museum, Berlin) |
Lammasu's are also known from the palaces of the Achaemenid kings. Those in Pasargadae have now disappeared, but in Persepolis, we can still see them in the Gate of All Nations. The hoofs are visible in the Unfinished Gate; in the building that is identified as either a Council Hall or a Tripylon ("triple gate"), lamassu's served as the capitals of columns. It would be interesting if we could establish a link between the Asian bull-man lamassu and the Greek bull-man Minotaur, although the first one has a man's head and a bull's body, and the Minotaur has a man's body and a bull's head. However, there are Greek coins that show lamassu's, like those of the Sicilian cities of Gela and Panormus. The latter, modern Palermo, may, as a Phoenician colony, have had artistic ties with the east. |
©
Jona Lendering for Livius.Org, 2004 Revision: 7 July 2010 |
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