Berlin, Pergamon Museum

Q157298

The Pergamonmuseum is probably Berlin’s most famous cultural institution. It contains three major collections which, each in itself, might have been fine museums: a classical department, a department of ancient Near Eastern art, and a department of Islamic art. What they have in common is their connection to the former Ottoman Empire. In each of these departments, you will see splendid works of art.

The museum is named after the city of Pergamon, where German archaeologists found the famous altar that now stands in the central room of the museum. (In fact, the museum was built around the altar.) The north wing is devoted to Greek and Roman art, and you will find archaic sphinxes, classical reliefs, and so on.

The south wing contains the department of ancient Near Eastern art, which includes the famous Ištar Gate from Babylon and the ancient procession road, which appears to date back to the Seleucid age. Among the other objects are orthostats from Tell Halaf, prehistoric finds from Uruk, the royal tombs of Assur, bronzes from Luristan, objects from Nineveh, and of course lots of cuneiform tablets. Among the most fascinating documents is a tablet that mentions the Judaean king Jehoiachin.

If you go upstairs, you will find yourself in the department of Islamic art. Again, a complete building has been moved from its original location to the German capital: this time, a substantial part of the wall of the early Islamic Mshatta, one of Jordan’s desert castles. But there’s a lot more to see. I must have been gazing at a splendid manuscript of Saadi’s Rose Garden for at least half an hour.

It is easy to spend a day in the Pergamonmuseum, and that is also a problem: it can be extremely crowded. When I was there last June, I could easily enter the building, but last week, early August, there was a long queue. When I entered the museum, it felt muggy, and I wondered whether the humidity wasn’t dangerous for the objects.

This museum was visited in 1988, 1989, 2000, 2010.

63 pictures related to this museum

Aššur, Royal Tombs, Glazed pottery	Aššur, Royal Tombs, Sarcophagus of Šamši-Adad V	Temple of Apollo, archaic column base	Piraeus, Relief of Cybele, Hecate, and Hermes
Samos, Temple of Hera, Column	Pergamon Altar, detail	Miletus, Model of the harbor area	Pergamon Altar, Zeus
Tarentum, Seated Persephone	Procession Street, decoration	Zincirli, Statuette of a warrior	Samos, Temple of Hera, Statue of three goddesses and a lion
Urartaean bowl from Van-Rusahinili	Persian (?) statue of a man	Detail of a stone vase from Uruk	Sam'al, column base: a double sphinx
Nineveh, Palace of Aššurbanipal, Soldier with a captured bull and a female slave from Elam	Babylonian tablet mentioning King Jehoiachin	Nineveh, Palace of Senacherib, Two soldiers	Aššur, Basin of Sennacherib
Esarhaddon Stela from Zincirli	Terracotta Heracles from Babylon	Hattusa, Statuette of a warrior	ZIncirli, Palace, Orthostats
Pergamon Altar, detail	Pergamene capital	Capital from Aššur	Pergamon Altar, Auge establishes the cult of Athena
The Pergamon Altar on a coin	Rhodes, Relief with the Rape of Brygindis	Aššur, Glazed brick panel with a capricorn	Zincirli, Egyptian ivory
Nineveh, Palace of Senacherib, Assyrian soldiers	Kition, Relief of Sargon II	Megara, Funerary relief of an athlete	Aššur, Glazed pottery
Boeotia, Tombstone of Polyxena	Northern basin, fountainhouse	Aššur, Statuette of Aššur	Aššur, statue of an early king
Babylon's Ishtar Gate	Model of Babylon's Esagila Temple	Magnesia, Temple of Zeus	Aššur, Royal Tombs, Sarcophagus of Aššurnasirpal II
Aššur, Glazed brick panel with the god Aššur	Amarna, Letter from King Abdi-Hepa of Jerusalem	Aezani, Diocletian's Edict on Maximum Prices (EDCS-20200011)	Pergamene copy of Phidias' Athena
Statue of Hadad	Aššur-šarrat	Orpheus	Inscription from Justinian
Aššur, Temple of Aššur, Old-Assyrian relief of three deities (and two goats)	Esarhaddon Stela, cast, detail	Pergamon Altar, Athena	A royal procession. Water color by W. Anger. In front: the Procession Street; center: the Ištar Gate; on the horizon: the Etemenanki.
Relief of Apollo	Sam'al: king Barrakib receiving a scribe	Assyrian amulet	Pergamon Altar, Model
Boar, late Sasanian age	Zincirli, Inner gate, lions	Model of the citadel of Pergamon (Roman age)